My new Brighton novel is published!

Great news! My new novel has arrived. It's always a thrilling moment to see it in print after the three years of drafts and redrafts. Yes, it really exists - that's my first reaction. It looks great too. So thanks to my publishers, Ward Wood Publishing, and to the cover designer, the hugely talented Kayla Bell.


Blue Notes, Still Frames is my second Brighton novel and it moves forward to 1994 - My first Brighton book, Stephen Dearsley's Summer of Love was set in 1967.  Here's the publisher's blurb, if you want to know what it's all about.

You can buy the paperback edition a number of ways. Either directly from the publishers:

http://www.wardwoodpublishing.co.uk/titles-fiction-colin-bell-blue-notes-still-frames.htm

From Book Depository, especially if you are outside the UK:
http://www.bookdepository.com/Blue-Notes--Still-Frames/9781908742629

You can buy it at Amazon too - especially if you want the Kindle edition which is already online:

https://www.amazon.co.uk/s/ref=nb_sb_ss_i_2_24?url=search-alias%3Daps&field-keywords=blue+notes+still+frames+by+colin+bell&sprefix=Blue+Notes%2C+Still+Frames%2Caps%2C124&crid=1N88VF8VOJ86O

Or, of course, you can order it from your local independent bookshop. Mine, here in Lewes is the excellent independent bookseller Skylark and they will be stocking both my novels:

http://www.skylarkshop.com/

I shall be doing my first reading from the new novel tonight, here in Lewes, at the latest Needlewriters event at the lovely Needlemakers centre, in West Street, with my friend, the poet and novelist Kay Syrad and the science fiction writer, Matthew De Abaitua, whom I'm yet to meet. It should be a fun evening so, come along if you can. It would be great to see you there.

Here's the Needlewriters' web link to give you more information about the writers:

http://www.needlewriters.co.uk/#/whats-on/4539813579

P.S. The readings went really well last night at Lewes' Needlewriters' event - I left feeling that new new book is well and truly  'out there'. My thanks to Janet Sutherland and the Needlewriters' committee for their support and for asking me to read. It's a lovely event.

Come and hear me read from my new novel - published this month.

I shall be reading from my about to be published novel, Blue Notes, Still Frames,  (Ward Wood Publishing -  http://wardwoodpublishing.co.uk/titles-fiction-colin-bell-blue-notes-still-frames.htm ) on Thursday the 12th January here in Lewes UK.  If you can make it, it would be great to see you there.

I'm waiting neurotically for the printed copies to arrive and also for the Kindle edition to be published. Exciting times.  This will be my second Brighton novel. My first, Stephen Dearsley's Summer of Love, was set in 1967,  but, this time, it's in the year 1994. Here's the blurb that will appear on the back cover:

'Colin Bell transports us back to Brighton in 1994 for his second novel Blue Notes, Still Frames, with a full cast of characters drawn together through the music and photography of the title.

Busker Joe lives on the beach with his flute and his troubled Goth girlfriend, Victoria, who’s a singer. He borrows a bath towel for her from Rachel and Alan, a prosperous young couple from the rapidly growing world of computers. The meeting will change all their lives…and other lives too.

There’s Harry, a beach bum drummer; Nico, a transient American who takes revealing photographs of passers-by; Kanti and Diep, mysterious artist twins from Nepal; Lionel and John who reveal more than their bodies on the nudist beach; and pub landladies Jacqueline and Rosemary who top up their income by dabbling in the sex trade.

Joe is always there weaving more than melodies with his flute.'

The reading will take place at the Needlemakers in Lewes, the splendid quarterly literary event where I was invited to read from my first novel too. I'm lucky to be sharing the billing with a friend, the novelist and poet, Kay Syrad and science fiction author Matthew De Abaitua. It should be an entertaining evening.

Matthew De Abaitua is an Arthur C Clarke Award shortlisted author of science fiction. His second novel If Then is set in Lewes in the near-future and was written in the flat above the Needlemakers. Locus described it as 'full of magisterial weirdness, melancholy joy and hopeful terror. If I begin to toss out names like Adam Roberts, Brian Aldiss, and J. G. Ballard, I will not be lavishing undue praise.'

Kay Syrad's publications include a poetry collection, Double Edge (2012), two novels, The Milliner and the Phrenologist (2009) and Send (2015), which investigates pre-verbal experience; and Exchange, an art-text work with Chris Drury (2015). Her artist’s book work of the lightship men: 1000 tasks (2013) was bought by the National Maritime Museum. She is Poetry Editor of Envoi and co-founder of the VERT Institute for art events & writing in Laughton.

Before becoming a writer, Colin Bell worked as a TV producer-director and executive producer making arts programmes for ITV, Channel Four, the BBC and also for American, Japanese and German broadcasters. His first novel, Stephen Dearsley's Summer of Love (Ward Wood Publishing, 2013) was long-listed for the Polari Prize. His second novel, Blue Notes, Still Frames is due out in January. His poetry has been published in the UK and the USA where it has been nominated for the 2017 Pushcart Prize.

Numbers count in Fibonacci Poetry - and for The Fib Review's anniversary issue.

I'm celebrating today and it's not all about numbers. They figure strongly in writing the usually short poetry form the Fibonacci poem which is based on the so-called Fibonacci Sequence of numbers.

The latest issue of  the world's leading Fibonacci poetry journal, The Fib Review, is published today in its 25th issue on its 10th anniversary and, yes, my four new Fibs  bring my total 66 of poems published by the Fib Review. All these numbers are worth celebrating I think.

It may all look a bit dusty and arithmetical in the diagram but these numbers form a beautiful sequence that can be found in nature, in science,  in engineering and, yes, in art. The sequence consists of numbers where each  is the sum of the previous two, rising in numerical order and which can be seen in natural shapes  made from this ratio of numbers. It is the beauty of the sequence that has tempted poets to use the sequence as a way of ordering words and lines in poetry.

I have been writing Fibonacci poetry for eight years now by counting the syllables in each line so that the lines correspond to the sequence: 1, 1, 2, 3, 5, 8, 13, 21, 34.  Until now, I've never dared to go any higher in the numerical order but in two of my new poems I have added 55 syllable lines. I'm delighted that they are to be included in the new publication of The Fib Review. Take a look, not just for my new poems but for the fascinating variations on the form achieved by all the other poets, from all over the world,  published there:

http://www.musepiepress.com/fibreview/index.html

Leonardo Bonacci, known as Fibonacci (c1170 - c1250)

The Fibonacci Sequence is credited to the Italian mathematician Leonardo Bonacci who was also known as Fibonacci. He introduced this ancient Asian sequence into Western Europe in the 13th Century and it has fascinated mathematicians, scientists, artists, engineers and poets ever since.